Jung on Active Imagination

I am enjoying a seminar with THE SALOME INSTITUTE of JUNGIAN STUDIES on Jung’s newly published Black Books (BB). The course is guided by the institute’s director, Satya Doyle Byock, and astrologist Carol Ferris. Seems we’re off to a great start!

Working in depth to understand Jung’s process of self experimentation, as it informed his birthing of analytical psychology, offers an up close look at our own journeys. I hope to be bringing forward key concepts in support of all who dare to consciously deepen in relationship to the unconscious.

Here is Sonu Shamdasani, the primary editor, commenting on Jung’s approach to active imagination: “In December 1913, (Jung) referred to this first Black Book as the ‘book of my most difficult experiments.’ In retrospect, he recalled,

‘my scientific question went: what would happen if I switched off consciousness? I noticed from dreams that something stood in the background, and I wanted to give this a fair chance to come forward. One submits to the necessary conditions – as is in a mescaline experience – so that it emerges.’ (BB, Volume I, p. 24)

“Jung described his technique for inducing spontaneous fantasies: ‘The training consists first of all in systematic exercises for eliminating critical attention, thus producing a vacuum in consciousness.’ One commenced by concentrating on a particular mood and attempting to become as conscious as possible of all fantasies and associations that came up in connection with it. The aim was to allow fantasy free play, but without departing from the initial affect in a free-associative process. This led to a concrete or symbolic expression of the mood, which had the result of bringing the affect nearer to consciousness, hence making it more understandable. Merely doing this could have a vitalizing effect. Individuals could draw, paint, or sculpt, depending on their propensities:

‘Visual types should concentrate on the expectation that an inner image will be produced. As a rule such a fantasy-image will actually appear – perhaps hypnagogically – and should be carefully noted down in writing. Audio- verbal types usually hear inner words, perhaps mere fragments or apparently meaningless sentences to begin with…. Others at such times simply hear their “other” voices…. still rarer, but equally valuable, is automatic writing, direct or with the planchette.’

Once these fantasies had been produced and embodied, two approaches were possible: creative formulation and understanding. Each needed the other, and both were necessary to produce the transcendent function, which arose out of the union of conscious and unconscious contents. 

For some people, Jung noted, it was simply to note the “other” voice in writing and to answer it from the standpoint of the I: ‘It is exactly as if a dialogue we’re taking place between two human beings…’ Dialogue led to the creation of the transcendent function, which resulted in a widening of consciousness. His descriptions of the use of inner dialogues and the means of evoking fantasies in a waking state match his own undertaking in the The Black Books…” (C.G. Jung, BB, Notebooks of Transformation, Volume I, Edited by Sonu Shamdasani, 2020, pp. 54-55)

Explore posts in the same categories: Active Imagination, Communications from the Dream Time, Connecting the Dots Series, Conscious Enactment, Learning to Think and Work Symbolically, Soul

Tags: Jung's Black Books

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